¿Por qué la serie israelí Fauda tiene tanto éxito entre los palestinos? Porque dice la verdad

THE SPECTATOR.- Fauda (Netflix), on the other hand, doesn’t give a shit whether you think it’s caring or sharing or has a wholesome moral core. It’s Israeli. It’s not there to make friends. Or take prisoners. And as a result it’s honest, true, gripping, real — and definitely your new favourite TV series.

You can see immediately why it has been a huge hit in Israel. It’s a thrillingly gritty series about an undercover Israeli Defence Force intelligence unit whose job is to fight mostly Palestinian terrorists. There’s moody, downbeat ox-like Doron (played by Lior Raz who, before becoming an actor, did this sort of thing for real); handsome Mickey Moreno; ludicrously hot Nurit; careworn but pragmatic Captain Ayub. They’re tough, fit, committed, brave; their banter is terse; they love one another like family; they’re the defenders of their fragile, perpetually threatened civilisation.

And, by extension, of our civilisation. Their womenfolk are bareheaded, open, sexually promiscuous; they drink beer and smoke bongs at barbecues; their bars serve the same array of spirits, play the same dance music, entertain the same beautiful young things you’d find in London, Paris, New York, Tokyo; they’re religious, some of them, but not oppressively so. Life is good, the economy is booming, the future is bright.

Not so the world on the other side of the wall — so alien it might as well be Mordor or the land of the Wildlings and the White Walkers. The men all chain smoke (about the only thing they have in common with the Jews), but drink only endless sugary drinks (coffee or juice) or water. Women lurk mainly in the background, behind veils. Homes are much shabbier, except when you’re senior in Hamas which buys you a bit of bling. The general mood is one of sexual repression, simmering resentment, dogged piety — enlivened only by the constant threat of violence. You really wouldn’t want this world view to end up the winner.

Yet amazingly the Palestinians love this series too. Or perhaps not so amazingly, because it does them the service of taking them seriously, even treating them with grudging respect. Their brooding killers are intelligent, capable, single-minded, devout — the ultimate expression of a culture which combines the Mafia’s obsession with honour, blood feuds and family loyalty with unswerving submission to the will of Allah.

So apart from providing edge-of-seat entertainment (drawn-out scenes of unbearable tension suddenly bursting into car chases or shoot-outs or explosions), compelling character acting and location shots so atmospheric you wonder how they were ever able to film it (especially in places like Nablus), it gives you a far clearer understanding of what’s really going on in the Middle East than anything you’ll ever see on the BBC.

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