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dilluns, 11 de juliol de 2016

La corrección política 'diversifica' Oxford

Oxford sustituye imágenes de hombres blancos por negros, mujeres o gays
Oxford University is replacing some portraits of famous men with female, black and gay leaders to counter its ‘male, pale and stale’ image.

It is commissioning artists to paint dozens of new portraits to hang in its ancient buildings at a cost of £900 each.

Stickers with the words ‘next in frame’ have been put up around Oxford, asking students and staff to nominate suitable subjects by the end of this week.

In addition, colleges are already redecorating dining and lecture halls with new pictures and photographs to reflect the diversity of their alumni.

Pictures of author Jonathan Swift, 16th century poet John Donne and bible translator William Tyndale were all removed. And portraits of TV presenter Natasha Kaplinsky, author Hari Kunzru and journalist Naomi Wolf have been put up.

The transformations are under way at a time when Oxford has faced intense international scrutiny over the presence of longstanding male symbols.

Students led by Ntokozo Qwabe, a South African-born Rhodes scholar, unsuccessfully campaigned for the removal of a statue of Cecil Rhodes at Oriel College, arguing it was a reminder of apartheid.

It failed in January, when Oriel’s governing body ruled out removing the statue after furious donors threatened to withdraw gifts and bequests worth more than £100million.

A month later, the National Union of Students’ Black Students’ Campaign described Oxford University as ‘one of the most male, pale and stale places of learning in Britain’.

It was revealed yesterday that a photograph of feminist and former Rhodes scholar, Naomi Wolf, will go on display in Rhodes House, home of the scholarship scheme that pays for non-British postgraduates to study at Oxford. She admitted she left Oxford in the 1980s without finishing her doctorate after encountering ‘horrible’ sexism and anti-semitism. She returned more than 20 years later to complete it.

Ms Wolf insisted that ‘changing iconography helps to change how you see history’.

She told a newspaper: ‘In my college, New College, there are portraits of men everywhere.

‘While pictures are not the same as gender or race equality, I do not think this is trivial. If all you see are white men, white men, white men, it is very hard to believe that people in your society think you have a place in history.’

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